It has been 15 years since famed archeologist/ adventurer Indiana Jones (Harrison Ford) was onscreen in “Indiana Jones and the Kingdom of the Crystal Skull” and even longer since he was onscreen in a decent movie. Fans were worried if that creative flop would be the last they’d ever see of Indy, but now he has a second chance to make a last impression. With new director James Mangold at the helm, I suppose there was a chance that this franchise could have dug itself even deeper into the hole, but I’m pleased to say that this entry is not an embarrassment. It’s too bad I can’t say anything better than that, but it’s more than I could say for the last movie.
AN opening sequence sees a younger Indy (using not-perfect but not-distracting digital de-aging effects on Ford) rescue an artifact from Nazis at the tail end of World War II with the help of bumbling colleague Basil (Toby Jones). This sequence takes place on a moving train, so there are seemingly endless opportunities to throw bad guys off screaming. It’s fun, if a bit overlong, which can be said of all the action sequences in this movie.
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